Choir Orchestra Chorale Bells Organs


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Mormon Tabernacle Choir looking for guest conductor

Classical MPR launches choral initiative

Audio interview: Mack WIlberg talks about 'Glory! Music of Rejoicing"

'Glory' showcases feelings of Mormon Tabernacle Choir members

Former South Ogden mayor lives full life despite illness

Glowing Amazon customer review for Glory! Music of Rejoicing

OTS member Becca Goeckeritz has 'exceeded expectations'

Mormon choir is safest place for embedded journalist who can't sing

Mormon Tabernacle Choir members with EV roots return for Arizona performance

Mormons pursue dreams of being in the Tabernacle Choir

Brain injury doesn’t stop Utah singer from following dream

Tabernacle organists serving a higher purpose

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Latest News
Pioneer Celebration Features Welsh Star Katherine Jenkins
The story of the Mormon pioneers is a saga like no other. Tens of thousands put down roots in the Salt Lake valley and surrounding areas and their heroics, determination and sheer grit—not to mention their singing at campfires at night—are celebrated every year in Pioneer Day celebrations. This year, the Mormon Tabernacle Choir in its traditional salute to those hearty settlers will stage a concert “The Joy of Song” in the Conference Center Friday and Saturday, July 20-21 at 8 p.m.

British singing sensation Katherine Jenkins will join the Choir and Orchestra at Temple Square with Dr. Mack Wilberg, Music Director of the Choir, conducting the program. It’s fitting that Welsh singer Jenkins would represent the British Isles from which so many early Mormon pioneers emigrated. She is one of the most prolific classical crossover artists in the world having sold more than seven million albums since stepping onto the stage in 2004. She is applauded for her unique capacity to touch hearts of listeners with popular songs, operatic arias and hymns which makes her a perfect match for this year’s Pioneer Day concerts. And, she’s been tripping the light fantastic on ABC’s “Dancing with the Stars!”

In addition to the solos and choir selections, the concert evenings will include multimedia presentations of well-recognized personalities reflecting on the joy they find in music.

This Choir concert, like all others offered to the community, is free but tickets are required. Because of high demand, the tickets will be distributed in a random selection process. Click here to register on the Internet. Registration will be available from Saturday, May 19, 2012, at 12:01 a.m. through Monday, May 28 2011 at 11:59 p.m. Those without Internet access may register over the phone at (801) 570-0080 (local) or at 1-866-537-8457 (toll free). Tickets are limited to one registration per household and a maximum of four tickets may be requested. Standby tickets will not be issued but patrons are invited to stand by for last-minute seating each evening. The standby line will form at the North Gate on Temple Square at 6 p.m. for the evening performances.

Bells on Temple Square Herald in Summer with June 22 Concert
Summer is a favorite time of year on Temple Square. It’s not just the flowers and the shade trees, the monuments and the historic buildings that attract so much attention. It’s also the spectacular music presented in the Tabernacle. On June 22, 2012 the Bells on Temple Square pick up their English handbells and regale the audience with music from classical to patriotic to hymns. No question this will be an event you won’t want to miss.

This 28-member bell ensemble formed in 2005 under the umbrella of the Mormon Tabernacle Choir has a tradition of performing two concerts a year in addition to their participation in Choir programs. The repertoire, planned by LeAnna Willmore, conductor of the Bells on Temple Square, will include “America the Beautiful” and “Stars and Stripes Forever” and hymn arrangements-- a feature of Temple Square concerts—“Amazing Grace” and “Come Thou Almighty King.” In addition, the evening will feature bell ensemble transcriptions of the well-known classical pieces, Stravinsky’s “The Firebird Suite” and Mendelssohn’s “Italian Symphony.”

The Friday evening concert entitled “Summer Celebrations” comes just two days after the official start of summer and also includes solos by Temple Square organists Bonnie Goodliffe and Linda Margetts as well as instrumental ensembles from members of the Orchestra at Temple Square.

Tickets for the concert—which begins at 7:30 p.m.—are available on Tuesday, May 15 at by clicking here or by calling 801-570-0080.

First Ever “Conduct the Choir Facebook Contest”
Beginning April 25, 2012, Mormon Tabernacle Choir began inviting fans across the United States to enter the “Conduct the Choir Video Facebook Contest” for a chance to conduct the Choir’s 360 powerful voices during one of their rehearsals.

To enter the contest, participants must visit the Choir’s Facebook page, click on the Contest tab, and download an audio clip of the song “Ode to Joy” from the Choir’s latest album Glory! They then record a 30-60 second video of themselves conducting the Choir. Participants will enter the contest by posting their video to YouTube, and following all entry guidelines on the Choir’s Facebook Contest page.

“This is a first for us and a once-in-a-lifetime opportunity for a fan,” said Mack Wilberg, music director of the Choir. “The Choir’s following is hugely loyal and we wanted to create an experience that would be fun and powerful. Standing in front of 360 voices, with the conductor’s baton in hand, will certainly be a moment not to be forgotten.”

Contest participants are encouraged to ask friends and family to vote for their video to increase their chances of becoming a finalist. The top 10 videos, based on votes, will be selected as finalists, at which point the Choir will then select the eventual winner.

The winning “conductor” will be invited to Salt Lake City to direct the Choir during a rehearsal, planned for some time this summer. Other finalists will receive free copies of Glory! signed by Mack Wilberg.

The Contest submission deadline is May 25, 2012 at 11:59 p.m. MDT.

Get On Your Feet and Shout BRAVO!
Singers love to hear the audience shout “Bravo!” It’s an expression of admiration for excellence beyond measure. So it is with the Mormon Tabernacle Choir recording label’s latest release, Bravo! This breathtaking three CD package includes the Choir’s recent #1 charting albums on Billboard: Come, Thou Fount of Every Blessing, Men of the Mormon Tabernacle Choir and Heavensong. In addition to the three, a special bonus disc, Music from 9/11: Rising Above formerly a digital only album is included. The new collection is available the first of May.

To reach the top of the charts is no small task and certainly a much deserved accolade of its own. But this priceless collection is more than CDs of songs. For a collector Bravo! is a must-have and for those just discovering their love for the Mormon Tabernacle Choir, it is a terrific place to start.

Men of the Mormon Tabernacle Choir spotlights the rich tradition of tenors, baritones and basses, performing classics as well as new tunes: "Brightly Beams Our Father's Mercy," "Beautiful Savior," "Pilgrims' Chorus" from Tannhauser, "You Raise Me Up," and Billy Joel's "Lullabye (Goodnight, My Angel)" are among the wonderful songs on this best seller.

Heavensong features beloved classical selections from new Mack Wilberg compositions to familiar melodies. The music is more heart-felt and reflective in keeping with the CD’s subtitle “Music of Contemplation and Light.” Included are such songs as “Jesus, Joy of Man’s Desiring,” “I Will Lift Up Mine Eyes,” “Alleluia” and David Foster’s “The Prayer” with the noted impresario at the piano!

Come, Thou Fount of Every Blessing showcases music and melodies of the folk tunes and hymns as passed down through the centuries. Included are Mack Wilberg arrangements of the title song, “Come Thou Fount,” “Deep River,” “Bound for the Promised Land” and “Amazing Grace.” Soloist Alex Boyé performs on several stunning African-American spirituals.

Music from 9/11: Rising Above demonstrates the ability of Americans to face adversity and unbelievable losses and yet overcome. Much loved classics, “Shenendoah,” “For the Beauty of the Earth” and “God Bless America” are fitting for this message of hope, determination and triumph of this bonus CD.

Click here to order your copy today!

Retirements from the Choir Are a Bitter-Sweet Passage
Officially the Sunday program of Music and the Spoken Word April 22, 2012 is Number 4310 since its broadcast beginnings in 1929. For 28 Choir members and 3 members of the stage crew the number reflects something close to taking their last breath! They are retiring, saying good bye to a calling they have loved and labored over for as many years as they could squeak in. A special retirement ceremony is held once a year in honor of these men and women who are leaving this volunteer church service. It will be a bitter-sweet passage. The retiring Choir members will be leaving their seats, lockers, folders and even their wardrobes to the new members who have just completed training in the Chorale. The stage crew members will hand their work gloves to those who will follow. All the retirees will be taking with them hearts full of love for this singular service.

Some of the retirees have sung in the Choir for the full 20 years. Some have edged up to the age 60 cutoff with less than ten years in the Choir loft. Others have been in and out of the Choir with other callings; one sang under the baton of Richard Condie (1957-1974) and came back to finish his “time.” The stage crew members have labored behind the scenes on broadcasts and tours and concerts to handle the details so the performances could go forward.

Those who have watched the commitment of these Choir organization volunteers might expect them to be elated to have their Sundays back, their Christmas holidays. For them, there will be no more 7:30 a.m. calls or Tuesday, Wednesday, Thursday, Friday and all day Saturday recording sessions. No more carpools from the 100 mile radius from which the Choir draws. No more rigorous tour schedules with no pay—although when they do go on tour, their expenses are covered even though they still have to use their vacation time for the travel.

Ask any of them would they “re-up” if given the chance. Absolutely, they will reply. They love the spirit of the work, the professionalism of each musician, the music—oh, the music—and the masterful direction they have received. They have wept and grieved and sung praises to the Almighty together and now they lovingly, willingly and without asking for a receipt join the audience.

Choir Announces Guests on Broadcast and 2013 Tour
The Mormon Tabernacle Choir engages audiences in the weekly broadcast, Music and the Spoken Word originating in the Tabernacle on Temple Square, at spectacular seasonal concerts and on tours across North America.

From time to time, the broadcast spotlights specialty choirs from around the country and even the world. On April 15, the American Boychoir currently on tour in the West joins the Choir in the loft. They will sing Franz Schubert’s “Gloria” from Mass in G, Barbara Baker’s arrangement of Charles Tindley’s “The Storm is Passing Over” and join with the Choir for the finale, “Praise, My Soul, the King of Heaven,” arranged by Mack Wilberg.

For 75 years this premier choir featuring boys in grades 4 through 8 has dazzled audiences with opera, stage and television performances. The American Boychoir School, located in Princeton, New Jersey, is the only non-sectarian boys’ choir school in the nation offering a training program for mastery of choral music with a strong academic program.

Every other year the Mormon Tabernacle Choir and Orchestra at Temple Square go on tour. From June 12-21, 2013 they will conduct a Midwest States Tour presenting concerts beginning in Columbus, Ohio and traveling on to Indianapolis, Indiana; Chicago, Illinois; Milwaukee and Madison, Wisconsin. The final concert is scheduled in Minneapolis, Minnesota.

Tickets at most of the venues will be on sale on or before December 1, 2012. Tickets for the Madison concert will go on sale for season subscribers and group purchases of 10 or more next week on April 17. (See the “Tickets” tab on mormontabernaclechoir.org for more information or click here. This first announcement gives a jump-start for those who live in one of the areas or plan a visit to one of the cities where the Choir will perform.

Video in Celebration of Easter Week:
"Behold, This is the Way"
from the 2008 Easter Performance of
The Redeemer
by Tabernacle Organist Emeritus Robert Cundick
(Available on DVD. Click here for more information.)


Easter Concert Reflects on Christ’s Last Week
There is no better way to celebrate the Easter season than in song. It is fitting then that the Temple Square Chorale and Orchestra at Temple Square present as a spring concert, “Easter Reflections” in the Tabernacle on Friday, April 6 and Saturday, April 7 at 7:30 p.m. The concert is a conclusion to the rigorous Choir School training for new members of the Mormon Tabernacle Choir.

The first half of the concert features Requiem by composer Maurice Duruflé. The entire work has never been performed on Temple Square, although the full Choir has sung the famous fourth movement many times. “The Requiem is a beautiful work, one that is poignant for this time of year,” states Ryan Murphy, Chorale conductor and associate conductor of the Mormon Tabernacle Choir. “Themes of mercy, love, justice and meditation are magnificently expressed in the work. Though not written specifically for Easter, the music is devotional in nature with its own tonal languages.”

The second half of the program pays tribute to the events of the last week of the ministry of Jesus Christ. “All Christians celebrate Holy Week in various ways,” Murphy explains. He has prepared music to highlight the significant settings for those special days honored by so many Christians. John Rutter’s “Christ the Lord is Risen Again” opens the sequence followed by “Tell me the Stories of Jesus” for Palm Sunday, “As I Have Done for You,” for Holy Thursday, “Ave verum corpus” for Good Friday, “In the Garden” for Easter morn. The evening will conclude with the stirring “And Is It So!”

Not surprisingly, all the tickets for the concerts have been distributed, however, patrons may standby for seating. A line forms at the flagpole outside the Tabernacle. Come and celebrate the Easter season with the Temple Square Chorale and Orchestra at Temple Square.

The Choir Sings “Heavenly Music” for General Conference
At the close of a recent General Conference President Thomas S. Monson, president of The Church of Jesus Christ of Latter-day Saints, thanked the Mormon Tabernacle Choir for “truly heavenly music.” Twice a year, the Choir stirs the hearts of millions with hymns of the Restoration, often newly arranged, for the Saturday morning, Sunday morning and Sunday afternoon conference sessions.

President Monson loves to describe the 360 singers as “my choir!” Previous Church President Gordon B. Hinckley (1995-2008) said of the Choir, “I regard it as the outstanding choir in the world. May it continue its great mission of providing lofty and inspiring music at home and abroad.” Another Church President, Spencer W. Kimball (1973-1985), thanked the Choir for adding “so much to the spirit and enjoyment” of conference. “As I listen to the lovely melodies of the Mormon Tabernacle Choir,” President Kimball continued, “I am comforted by the assurance that there will be beautiful music in heaven.” Other General Authorities of the Church have referred to the Choir in their conference messages as “magnificent,” “stirring,” amazing,” “unequaled,” “remarkable,” “divine.” The words of praise go on and on---all of them well deserved.

The Choir doesn’t just sit down in the loft and sing old favorites. They prepare for general conference just as those who write their messages. The Choir music director Mack Wilberg proposes music which is approved by President Monson, advisor to the Choir, and then rehearsed at length. The music comes from the hearts of the singers and the spirit of God carries it to the hearts of those listening.

Choir members can tick off on their fingers the remarkable experiences of singing at the 2002 Olympic Winter games, touring Europe and the United States, the former Soviet Union and New Zealand, singing at the Garden Tomb in Jerusalem and being on stage with celebrities like Walter Cronkite, Bryn Terfel, and Sissel. But the assignment to sing at general conference is like no other. Said one member who recently retired after 20 years of service: “There were many instances when the Spirit was so strong that singing became very difficult as emotions welled up in my throat and my contribution had to be limited to my countenance.”

New CD Glory! Enchanting Listeners
You need to be familiar with a lot of music if you are going put together a blockbuster recording, program, or broadcast. To do it time and again takes a director like Mack Wilberg who is a genius at connecting the old masters with great composers from film, traditional folk hymns, and favorite anthems. Wilberg is quick to explain that you have to have something for everyone. That’s why the Choir and Orchestra’s new album, Glory! Music of Rejoicing has climbed the Billboard charts and clearly “raised the roof” for listeners.

Mack Wilberg was about eleven years old when he first walked into the Tabernacle and heard the Mormon Tabernacle Choir. His grandmother took him to the famed Tabernacle on Temple Square to a Thursday night rehearsal; Richard Condie was conducting as the Choir prepared “The Holy City.” Wilberg was mesmerized.

He tucked that experience away and when putting together Glory! Wilberg reached back to that memory and included that well-known piece “The Holy City” as part of the repertoire. He updated it with some new arranging for solo, voice, and orchestra and tapped as tenor soloist Stanford Olsen, a friend of the Choir who has performed with the Metropolitan Opera more than 150 times.

In a recent Deseret News article on Glory!, Choir tenor John Maddox said that making a recording is “not a party.” But the songs selected for the album allow “the Choir and Orchestra to be intense and exuberant about glorifying the Lord.” Karen Maxell, first alto, said of the long hours, “We all come so excited because we want to record and want others to hear our testimony through song and instrumentation.” For the complete article click here.

The result is a sensational album. Wilberg has crafted both big and fast moments and those of quiet, subtle reflection as well. Included are 14 jubilant renditions including “Glory!” by Rimsky-Korsakoff, an excerpt from “Ode to Joy” from Beethoven’s Ninth Symphony, Ennio Morricone’s “Nella Fantasia” from the film The Mission, “Psalm 148” by Holst, “Look to the Day” by Rutter, and “Hymn of Praise,” an original composition by Wilberg prepared as a tribute to the reopening of the Tabernacle in 2007.

To hear a radio interview by Steven Kapp Perry with Music Director Mack Wilberg about the new album Glory! click here.

Many New Stations Tuning into Music and the Spoken Word
If you are in Africa, you can tune in to Music and the Spoken Word. Or in Taiwan, India, Mexico and many nations in South America. And of course, Music and the Spoken Word has a loyal following across the United States and Canada. In recent years, the more than 2,000 radio, television, cable and satellite stations carrying Music and the Spoken Word has increased—122 stations have recently picked up the program—and the number continues to climb. The Mormon Tabernacle Choir has great international draw; there aren’t many great choirs left in the world with a reputation for continued excellence. “The world is recognizing Music and the Spoken Word is a beautiful show,” says Gregg Garber, vice president of Bonneville Distribution which markets the Choir’s program, the world’s longest continuous network radio broadcast. That’s been the niche for the Choir since its beginning in 1929. The programs lift spirits, touches hearts, encourages, brings peace and solace in troubled times.

Stations have scooped up the “Holiday Specials” that Music and the Spoken Word offers from Christmas to Mother’s Day to most recently, the tribute to 9/11 which featured Tom Brokaw. The 9/11 program was put up on satellite by NBC and scores of its affiliates aired the program with great responses from viewers. The 9/11 program also prompted stations in the top 10 markets who were not familiar with the Choir to pick up other seasonal specials as well. Spanish and Portuguese stations are adding the Choir to their programming not to mention 7 countries in Africa where choral music is a prized tradition.

In a day when air time is scarce, when viewing and listening patterns continue to fragment, getting in front of audiences is increasingly difficult. So why the interest in Music and the Spoken Word? “Because it is a quality show,” states Garber emphatically. At a recent trade show in Florida, broadcasters stood at the booth of Bonneville and were mesmerized by the 42-inch screen displaying Music and the Spoken Word. Bonneville is aggressively visiting with stations and attending trade shows across the country—26 this year-- to push for increased attention to the Choir and its programs. Garber explains that the music and the spirit of the Choir members are engaging new opportunities and that means “that the Choir will reach far beyond what we have envisioned up to now.”

Organ Recitals Fill the Tabernacle and Conference Center with Magnificent Music
For 100 years organ recitals in the Salt Lake Tabernacle have delighted both visitors and residents alike. Tabernacle Principal Organist Richard Elliott recalls when his mother while traveling West in the 1920s stopped in Salt Lake for the sole purpose of attending just such an organ performance.

Today, five Tabernacle organists and an occasional guest organist present these 30-minute recitals in the Tabernacle at 12:00 noon Monday through Saturday and Sunday at 2:00 p.m. Between Memorial Day and Labor Day, a second recital is added in the Conference Center on weekdays and Saturdays at 2:00 p.m. These recitals showcase not only the magnificent Tabernacle organ and the equally grand Conference Center organ but also reflect the Latter-day Saints’ commitment to worshipping God through music.

One woman approached Elliott after an organ concert and said “the organ was for her the voice of God” with both loud and soft sounds. Elliott agrees. “Music makes people feel good and makes them want to be better,” he says.

The other members of the organ staff include Clay Christiansen, Andrew Unsworth, Bonnie Goodliffe and Linda Margetts. They, like earlier organists who have sat down at the Tabernacle organ and more recently the Conference Center organ, have two main assignments: to accompany the Choir and to present organ recitals. “There is nothing like sitting at the organ,” Elliott explains, “and having 360 voices bouncing around you. There is just so much energy.”

The two organs are by most descriptions, massive, impressive and heralded in music circles as well as by millions who listen. They are different. The organ in the Tabernacle was initially built by Joseph Harris Ridges who was born and raised near an organ factory in England. The highly recognizable gold-painted pipes were harvested from suitable timber 300 miles south of Salt Lake and carted to the Tabernacle in the 1860s. Over the years, renovations have updated the organ to now include 11,623 pipes, 206 ranks of voices, and a console with five keyboards. The familiar image is the icon for the Choir’s recording label. The Conference Center organ was built from 2000 to 2003 by Schoenstein and Co of San Francisco. The difference between the two, Elliott explains, is that the organ in the Conference Center is about 2/3 the size of the one in the Tabernacle but must fill a space six times the size of the Tabernacle. Both, he contends are world class instruments.

Click here for a listing of recitals and performers in the daily recital series.

Chorale and Orchestra to present “Easter Reflections”
Once a year, the Temple Square Chorale and Orchestra at Temple Square present a spring concert. The timing allows for a program that celebrates the Easter season. This year’s event, “Easter Reflections” is no exception.

Under the direction of Ryan Murphy, Associate Music Director of the Mormon Tabernacle Choir and conductor of the Temple Square Chorale, the chorus and orchestra will perform Requiem by composer Maurice Duruflé. Commissioned in 1947 by the French music publisher Durand, Requiem was written in memory of the composer's father. At the time, Duruflé was working on an organ suite using themes from Gregorian chants which he incorporated into the commissioned piece. In addition, the Chorale concert program will include other works that celebrate the Easter season.

The Chorale has been rehearsing since January, which Murphy describes as a "wonderful luxury" because of the opportunity to get to know and work with the music in great detail. It’s a luxury because the demands of the Mormon Tabernacle Choir’s broadcast and performance schedule don’t permit the in-depth practice that are part of the training provided to new singers through the Temple Square Chorale. Participation in the Chorale is part of the training process for new Mormon Tabernacle Choir members; singers also include some current members of the Choir.

“Easter Reflections” is set for Friday, April 6 and Saturday, April 7 at 7:30 p.m. in the Salt Lake Tabernacle. Tickets will be available February 28 online at www.lds.org/events, in person at the Conference Center Ticket Office (door 4), or by calling 801-570-0080. Admission to this event is limited to those ages eight and older.

Choir Sings to More than 20,000 in Arizona
For the first time in 40 years, the Mormon Tabernacle Choir visited Arizona for a two-day tour to take part in the state’s Centennial celebration. The Choir and Orchestra at Temple Square performed two concerts to more than 20,000 people in the US Airways Arena. The Choir has sung in similar venues around the country. Its technicians have become adept at arranging the sound system in these large arenas so that the Choir and Orchestra can perform to larger audiences than can be accommodated in smaller concert halls.

The Choir regaled the audience with everything from Rossini to Rodgers & Hammerstein with a mix of hymns, classical music, and show tunes including a Nigerian carol. That particular number, entitled “Betelehemu,” suggests to everyone in the hall that this is “not your father’s Mormon Tabernacle Choir.” Organist Richard Elliott played a version of “I Got Rhythm” that brought down the house.

The 310 choir members and 65 orchestra musicians and about 40 staff members who traveled to Arizona resembled a small army. Although short weekend tours can be as much work in many respects as longer tours, Barry Anderson, administrative manager for the Choir and Orchestra said, “Two days or two weeks, it still takes three airplanes, three semi trucks loaded with instruments including a portable organ, wardrobe, sound equipment, and rigging to send the Choir and Orchestra on tour.”

One of the highlights of the tour included a VIP reception for 500 guests including Governor Jan Brewer who addressed those assembled as did Choir President Mac Christensen and Musical Director Mack Wilberg. Concluding remarks at the reception were given by Elder Tad A. Callister of The Church of Jesus Christ of Latter-day Saints, who oversees the work of the Church in Arizona. Two famed Arizonans, Sandra Day O’Connor, former U. S. Supreme Court Justice, and Most Reverend Eduardo A. Nevares, Auxiliary Bishop of the Catholic Diocese of Phoenix conducted the Choir and Orchestra in encore performances of “This Land Is Your Land” each night.

Orchestra at Temple Square Goes “Romantic”
The Orchestra at Temple Square joins with #1 Billboard artist Josh Wright to present its annual spring concert, “Romantic Variations: Music of Brahms and Rachmaninoff,” Friday, March 16 and Saturday, March 17 in the Tabernacle. Igor Gruppman, conductor of the Orchestra at Temple Square, will lead the ensemble in the concerts.

The program is ideally suited to the participants. Under the direction of Igor Gruppman, the Orchestra will perform Brahms’s Symphony no. 1 in C Minor, a work of four movements that premiered in 1876 after two decades of attention from its famed composer. Brahms wrote the piece to honor Beethoven and is often described as “Beethoven’s Tenth” because of the themes drawn from his earlier pieces.

The Rachmaninoff rhapsody features piano solos in its series of 24 variations on Niccoló Paganini’s Caprices for solo violin. The work, performed at its premiere by the composer himself in 1934, showcases soloist Josh Wright’s talent. Wright was the first prize winner of the 2010 American Protége International Competition of Romantic Music in New York. He has won top honors from a number of highly acclaimed piano competitions including the heralded Chopin Piano Competition in Warsaw, Poland and another Chopin competition in Miami, Florida, the familiar Gina Bachauer International Competition in Salt Lake and many others. Josh currently attends the University of Utah, studying under Dr. Susan Duehlmeier, where he recently completed his master of music degree. This will be his first time performing with the Orchestra at Temple Square. Wright’s self-titled album topped the Billboard Classical Traditional chart in 2011.

The concerts will be filmed with excerpts airing in a future special on BYU Broadcasting.

Click here for tickets or go to lds.org/events. The concert begins at 7:30 p.m.

The Choir Has a Closet of 2,000 Dresses!
This spring 17 women will join the Mormon Tabernacle Choir and the transition will look seamless – at least as far as the wardrobe is concerned. But it is a monumental task to keep all the women in matching outfits Sunday after Sunday, not to mention on tour. The Choir provides nine dresses for the women in colors to suit the camera and in styles to suit every figure. They come in fuchsia, blue, cream, raspberry, black, lilac, turquoise, rose and aqua. Each design in expected to last 20 years – more than a lifetime in anyone’s closet!

A staff of five volunteers with Valorie Jensen at the helm designs, stitches, alters, sews, presses, hems and cleans the 200 dresses. At her side are Peggy Becker—who has served as a member of the wardrobe committee for 35 years—Joyce Kennard, Susan Newland, and Connie Warner. When new Choir members are added, this committee tries first to fit them from existing inventory, making adjustments as needed. In some cases, they have to pull out the rolls of fabric in reserve to cut and sew new dresses.

When a new dress is introduced, the Choir orders 2,000 yards of fabric direct from the factory. The most recent addition to the wardrobe was what they call the “rose” dress. The committee used 1,100 yards of fabric for the dresses and put the rest on the shelf for future needs. Every woman is measured for her dress and each pattern is adjusted for fit—neckline, sleeve, front, back, length. Each dress is then made to fit. The process takes about five months. The committee members sew each one of the dresses.

Time was when the Choir ordered dresses from manufacturers. The Choir broke with that tradition when the fuchsia dress was introduced more than a decade ago and the committee has been “dressing” the women with their own creations ever since. In recent years, to assure they would get just the right color of fabric, the committee has sent sequins or spools of thread for an exact match. The dresses are always long—to the floor—so that the Choir does not have to provide matching shoes!

Facebook Fans Introduced to the Choir Raising the Tabernacle Roof!

 
If you are a fan of the Mormon Tabernacle Choir on Facebook, you get ongoing glimpses of the Choir’s latest recordings, announcements, program notes and applause from friends. There’s chat and more chat, too.

Take the new Glory! album just released. The new and very clever announcement of its availability (shown above) is also posted on Facebook. “Raise the Roof” says the TV commercial for the new 14-song recording and then that’s exactly what happens. The Tabernacle’s famous silver dome lifts up and out pours the music of the Mormon Tabernacle Choir. Not just lilting notes but high-spirited and dramatic ones that are the signature of the Choir in its message of singing praises and glory to God.

If you are not yet a fan of the Choir – become one right now. It is easy! There are two ways to do this:

Click “Like.” (Thumbs up!) at the top of the Facebook window (just under "Find us on Facebook" at the top right hand side of this page.

Or click here to go directly to the Choir’s Facebook page -- www.facebook.com/MormonTabernacleChoir -- and click “Like” right in the center of the first entry. You will be one of thousands of fans who are in the Choir’s circle of friends. And then tell your friends to do the same and the Choir will be well on its way to becoming not just America’s Choir but the World’s Choir.

Historical Roster: Click here for a comprehensive list of all who have served in the Mormon Tabernacle Choir and Orchestra at Temple Square.


Check this site often for information about all the activities of the Choir, the Chorale and the Orchestra. You'll find details about performances, rehearsals, recordings, auditions and tours and much more. Sign up on our mailing list to receive earliest notification of distribution dates for concert tickets and performance information.

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Click here to go to the Mormon Tabernacle Choir Performing Arts Family Internet Resources Site (an internal administrative website for members of the Choir, Orchestra, and Bells on Temple Square only).

 
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